(click heading to enter in all cases)
Birds among Trees 2000 34 x 31 x 13.5
Colourful Bird 2005 12 x 11 x 3
Flamenco Dancer & Guitarist 2004 31 x 19 x 5
Grey Roller Rope Wave Machine 2000 21 x 20 x 25
Kissing Couple 2004 12 x 10 x 4.5
Rower with Seagull 2002 15 x 26 x 20.5
small Roller Wave Machine c1999 7 x 10.5 x 11.5
Swirling Fish 2003 28.5 x 22.5 x 17.5
Swords for Peace 2003 22 x 46 x 10
Tennis Players 2005 17 x 36.5 x 12
Wave Machine with Watcher and Planes c1995 c30 x 60 x 30
All models are plain or painted wood
Size (height x width x depth, cm) refers to structure of models, not
including base (which is however integral and signed)
A Man, Birds and Chairs 19 x 22
Aerial Walkway, South London 1993 alkyd 25.5 x
30.5
Art Gallery, Aberystwyth University 25.5 x 30.5
Barn, Gellidywyll 1 24 x 31
Barn, Gellidywyll 2 24.5 x 30
Birds in a Tree 22 x 21.5
Black & White Bird 2 + Flying Bird on card
12 x 12
Brecon Farm 1 19.5 x 30.5
Brecon Farm 2 19.5 x 30.5
Bright Bird + Black & White Bird 1 15 x 12.5
Dew on Trees 19.5 x 22.5
Fog, Falmouth 21 x 29.5
Hill Walk 2 30.5 x 36.5
Lane with Trees 1 30.5 x 25.5
Jar of Water 1 + 2 15 x 12.5
Lane with Trees 2 30 x 22.5
Motorway Interchange, Glasgow 1993 alkyd 25.5 x
30.5
Paper Landscape 2 22.5 x 15
Size: height x width, cm
Cyclamen 38 x 30.5
Paper Landscape 3 22.5 x 22.5
Pebble Beach 23 x 30
Pedestrian Underpass, South London 1993 alkyd
25.5 x 30.5
Pier 22.5 x 29
Polystyrene Shapes 1 31.5 x 22.5
Polystyrene Shapes 2 30.5 x 25.5
Reflections 26.5 x 22
Rhuddallt, Bontddu 1 15.5 x 22.5
Rhuddallt, Bontddu 2 22.5 x 15.5
Road to Aberystwyth 25.5 x 30.5
Stream 1 36.5 x 30.5
Stream 2 38 x 30.5
Streptocarpus 1 36 x 30
Sun in New York 23 x 23
White Flowers in Snow 26.5 x 25.5
Sparkling Leaves 29 x 35
Size: height x width, cm
All dates 2005 and all media acrylic and emulsion on board except where
stated.
See some examples of other contributed
works here
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PETER MARKEY at 75
40 NEW PAINTINGS and a selection from the last 25 years 20 RECENT
AUTOMATA and many earlier pieces
Sat 3-Sat 17 September 2005
2-7pm daily, other times by appt
Open Morning Sunday 18 Sept 10.30-12.30
"Age shall not weary
them, nor the years
condemn":
the line might have been written for Peter Markey. Here he is,
enthusiasm undimmed, original ideas flowing out of him like a
youngster, at an age often thought of as time to take it easy. He no
longer wears psychedelic colours: no point in it now, since fashion
encourages it. Maybe he sleeps a little more than he used to, but in
the old days he seemed to scarcely sleep at all! He gave up being an
art teacher in the 80s, after 20 years at secondary schools in London
and Falmouth. He used to lead automata-workshops up and down the
country but is now too busy with his painting and models.
When he took the plunge into art full time, he
worked in card, making cut-away boxes containing fascinating static
scenes. The buying public was resistant to paper (although in the right
atmosphere it is durable) so he concentrated on wood, which eventually
led to the automata.
Cabaret, the
remarkable Museum of Mechanical
Theatre (late of Covent Garden) started as a little craft shop in
Falmouth, run by Sue Jackson, who encouraged both Peter Markey and Paul
Spooner by showing their work (later building on this by including
others). Thanks to her vision and their creative spirit, the rest is
history and their exhibits are widely seen, not only in this country
but internationally: see more background at www.Cabaret.co.uk
However, Peter initially trained as a painter,
at the Art College in his native Swansea. As automata took over his
output, he painted less and less, and his pictures were rarely seen
until 1990, with the launch of The
Animated Eye. This one-man national
touring exhibition, focussing on his pictures, was so successful that
it was taken off the road to replace works sold. From 1992, with new
paintings and (by popular request) 30 models, it toured almost non-stop
until the year 2000, being seen by tens of thousands of people.
Apart from the tour, this is our third Peter
Markey solo show. Happily, we celebrate his birthday as the highlight
of our 30th Anniversary Season. As our ethos is to encourage
others to achieve their potential, we enjoy spotlighting lesser known
facets of accomplished makers: it is fitting, then, that all Peter's
shows here have echoed both sides of his oeuvre. He himself
never
changes (he is still the same irrepressible saintly maverick!) but the
pictures and the models have moved on. However, the singular vision
remains unmistakably Peter Markey. He has earned the high regard and
affection of many: artists,
craftspeople and others with whom he has come into contact. Even busy,
eminent fellow makers are expressing this, by contributing their work
alongside Peter's show.
See some examples
of other contributed works here
Well-behaved children, including those aged 18
to 98, are welcome. Badly-behaved children, however, are strictly to be
left at home, where they - like you - can enjoy much of the show here
on the Web. Some of the automata have been animated in short clips, so
can be viewed in their full (inter)active glory.
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